Indie, indie... what an exquisite word! These days so many bands call themselves "indie rock" even if they sound nothing like indie rock (before we ranked this category we had to filter out all the songwriters and straight rock bands who tried to re-brand themselves as "indie" - WE CAUGHT YOU!). Of course, the word originates from "independent" - not "Indian" like your clueless friends often assume - but it's been used since the 80's to describe "non-mainstream" rock music (and record labels). Think tense and/or dark and/or experimental-ish mostly guitar based rock. Needless to say, in the late aughts Indie became huge, and many NYC bands (paradoxically signed to majors) like Yeah Yeah Yeahs and Interpol had a crucial role in bringing this genre to the masses.

Total submissions in this category: 45

Artists Qualified to the Poll's Next Stage (starting around 01.10):

1. Conveyor - 7.83 (out of 10)
2. ARMS - 7.66 
2. Modern Rivals - 7.66 

Honorable Mentions (above 7 out of 10):

Stone Cold Fox, These Animals, Wild International, Ballroom Jacks, No Shoes, Dear Comrade, ILLUMNTR, Their Planes Will Block Out The Sun

Jurors: Gracie Gutman (Deli SF), Jason Behrends (Deli Chicago), Lucy Sherman (Deli Seattle)

The Deli's Staff

Four-piece indie band Conveyor may have left the heat of Florida for the colder Brooklyn NY, but they carried a warm sound with them. These quirky indie rockers dabble in pop melodies, folk harmonies, and electronic beats, with a light-hearted experimental rock result. They came in first in our indie rock open submissions with an average rating of 7.83, after enjoying a year filled with Deli coverage!

DETAILS ABOUT THIS SHOW + STREAMING
COMPILATION OF ALL THE BANDS HERE

This is going to be the longest list of this whole series of announcements. On Thursday, we're once again taking over both floors of The Delancey with upstairs, a line-up of electro up-and-comers from all sides of the spectrum and downstairs, some creative pop gems fitting under the Avant Pop label, for a total of.. NINETEEN acts! So enough chit-chat, let's get to the list, because that is sure going to take up enough space.

Opening the (free!) upstairs show, Thomas Simon's ghostly mixes, followed by the bizarre folk-tronic experiments of Max Horwich's Sewing Machines, Cultfever's chaotic outputs and Railbird's more intimate creations. Next up, we've got three out-of-towners, i.e SF's Maus Haus, Philly's electro/hip hop artist Lushlife, and finally, Anomie Belle, from Seattle, co-headlining the show with NYC's own Dynasty Electric. Then, taking it to the later hours of the evening, Ducky, and Drop Electric (coming from DC).

Downstairs, our two headliners will be Dinosaur Feathers (top picture) and Wildlife Control, who both released this year a delicious new album, second for the former and a first for the latter. We've also got, on this stage, three acts coming from Los Angeles: openers American Royalty, shoegaze-pop band Letting Up Despite Great Faults, and Kiven, who will be closing the show. Add to this Columbian transplants Il Abanico, Conveyor, whom we covered in our last print issue, the catchy jams of five-piece Modern Rivals and finally, Santah, coming from Chicago, and.. I believe WE'RE DONE! In the pictures: Dynasty Electric & Wildlife Control.

Conveyor is one of the most intriguing emerging Brooklyn bands - pulling off their intricate sound on record obviously requires a good knowledge of the music production process. We asked them a few questions about their latest record and their favorite pieces of audio equipment here.