Right from the title, Mobley's new release is a mouthful. “Young and Dying in the Occident Supreme” has a great deal to say about America, capitalism, religion and sundry Big Ideas™.

It doesn't always hit. Mobley apparently recorded “Occident Supreme” sojourning in Thailand. You can kinda tell. Several tracks have an ineffable parochial “college freshman comes to Thanksgiving after a year abroad and has Ideas” dullness. The top track in particular sounds like a barely produced spoken-word take on your least favorite TA's favorite Medium article. The politics of “You Are Not The Hero Of This Story” are true and righteous altogether. It just doesn't slap.

Thankfully, it's a rare misstep. Start at track two, the danceable but lethal “James Crow,” and this release stops being homework. From “Crow” onward, Mobley's music lives up to its lyrical pieties. The hooks are tight, the grooves are luscious and playful, soulful vocals sweeten even the most earnest lyrical excesses. If anything, a track or two errs on the side of hooky pop and romantic angst rather than depth.

So yeah, “Young and Dying in the Occident Supreme” is a bit all over the place. But, and this is everything, it's not boring. “James Crow” is a standout, in contention for top tracks so far this year. Even “You Are Not The Hero Of This Story,” the album's one inarguable miss, swings for the fences. Mobley's EP is a catchy, urgent and utterly timely attempt at agit-pop, something lacking from the otherwise utterly politicized American conversation of 2021. If Mobley's music is more earnest than its cultural moment, that can only be to its credit. It's music that gives a damn.

- Matt Salter

“Young and Dying in the Occident Supreme” dropped on February 19, by way of Last Gang Records.

Fresh off announcing his multimedia collaboration, A Home Unfamiliar, which also doubles as a COVID-19 relief project, Austin artist Mobley is back with a Foster The People-led rework of his single, “Nobody’s Favourite.” 

Originally released as a single in February 2020, the “Nobody’s Favourite” rework is the anchoring single to Mobley’s new EP, Young & Dying in the Occident Supreme. Thought initially as a self-described “dancepunk number,” the Foster The People rework pulls away from the “punk” portion and pushes full-steam ahead towards the “dance” side of the original concept. 

Unintentionally or not, the original version of “Nobody’s Favourite” leans awfully heavily on a couple of teeter-totter guitar riffs quite similar to that of Tame Impala’s “The Less I Know The Better” and “Do I Wanna Know?” from The Arctic Monkeys. With the Foster rework, thought the riffs are still present, the track is reimagined in the shape of a punchy, hypnotic synth-pop dance track not out of place among the catalogs of the DFA label releases and Theophilus London.

As quickly as anything becomes relevant in 2020, it is buried beneath an unending pile of other; a song from February may as well be from another lifetime. For Mobley, the rework feels like a reminder, perhaps even a pang, of all the late, summery dance nights currently shelved (or relegated to Zoom) until further notice. 

-Benjamin Wiese

Photo credit: Andrew Bennett

A Home Unfamiliar is an experimental collaboration in music and filmmaking conceived and directed by musician/multimedia artist Mobley. The project brought together 30 musicians and filmmakers from all around Austin, TX, to create a visual album over the month of April 2020. Each artist had two days to create their segment, having seen or heard only a small portion of the previous artist’s contribution. The finished product is a single collective work that explores each artist’s unique experience of profound isolation and interconnectedness. Today you can watch A Home Unfamiliar at Alamo on Demand. All proceeds will be going to Central Texas Food Bank and The Dawa Fund, an organization providing direct aid for people of color serving as artists, social workers, teachers, healing practitioners and service industry workers.

The list of collaborators is meant to highlight the depth of Texas’s talented and thriving music and film scene. At the helm was Mobley, whose new EP was scheduled for release in May but was delayed due to the COVID-19 pandemic. Jim Eno shares his first solo work, after decades behind the kit in legendary indie act Spoon. They are joined by Shakey Graves and acclaimed composer Graham Reynolds, known for his work scoring Richard Linklater films. One of the filmmakers, Jonathan Horstmann, had to make a cross-country move and ended up creating his piece entirely from the passenger’s seat, while another, Shannon Wiedemeyer, didn’t have access to her professional gear in quarantine, so she shot hers on her childhood camcorder. See below for the full list.

On the idea behind A Home Unfamiliar, Mobely says "I came up with the project because, like so many, I felt bewildered and helpless in the face of the global pandemic. But I looked out and saw countless people working hard and braving incredible peril to get us all through this. The work I know best is music and filmmaking and I knew there must be a way to direct that work toward their crucial efforts. Pooling the talents of a bunch of musicians and filmmakers for a project like this seemed like a great way to raise some money for COVID-19 relief, but the radically collaborative nature of the project is also a compelling demonstration of the beauty and potential of collectivism. Virtually everyone involved has expressed how meaningful it’s been to contribute to something greater than themselves at a time like this."

Generous charitable donations were provided by Alamo Drafthouse, Franchise Charities, Karbach Brewing Co., Last Gang Records, Lyft’s LyftUp program and Ozarka® Brand Natural Spring Water. 101X, KUTX and Do512 added promotional support. All the artists donated their labor, with the goal of using their art to help those affected by the pandemic.

While Jay Z and the Chili Peppers will grab the headliner time slots and majority of headlines at weekend 1 of ACL, there are a handful of Austin artists who were tapped to represent the local talent pool that are worth seeing as well. Most Austin festivals do a pretty good job of bringing in local talent, and ACL is no different. While well-known national bands like Spoon and perennial favorites like Asleep At The Wheel, are guaranteed to draw sizeable crowds - we want to spotlight our five up and coming local acts, who are snowballing with newfound momentum.

1. Mobley - (Saturday 11:30 AM @ Miller Lite Stage) 

A talent who cannot be placed neatly in a solitary genre box - Mobley blends R&B, electronica, and hip-hop for a unique twist that is credited and fortified by superior songwriting. Mobley has the most potential of any artist on this list, and possibly in the city of Austin.  See him now before you're forced to use a binoculars to see him in a few years on the headliner stage;)

2. Capyac - (Saturday 12:15 PM @ Titos Stage)

Although orginally from Georgia, these electro dance wizards know how to get a funky dance party started. A large local following and magnetic stage show means that Capyac is sure to envelope you into their indie electro fold if you give them a chance.

3. Melat - (Sunday 12:30 PM @ Titos Stage)

An Ethiopian goddess whose voice is as smooth as it is seductive, Melat blends soul and R&B  with haunting and profound songwriting.  This voice is too serene to remain an Austin secret for much longer, so an early visit Sunday to the fest is definitely in order.

4. The Black Angels - (Saturday 5 PM @ Barton Springs Stage)

While the Black Angels are known internationally and have been purveying psychedelic rock for quite some time, they still have a transformative live show and a slew of hits to keep you slack-jawed for their entire set. They may not be a shiny new band, but Christian Bland is one of Austin's most prolific songwriters for a reason, so don't miss out.

5. Missio - (Friday 1:15 PM @ HomeAway Stage)

Many Austinites do not know that Missio is a local band, although you've almost undoubtedly heard them before, but that's because they have rocketed to the national stage without having to play a decade in Austin bars. Dark moods, sinister lyrics, and addictive beats make this act definitely worth a listen at the festival.

 While SXSW features exotic music like throat-singers from the steppes of Mongolia or flute bands from the peaks of the Andes, we must not forget that some of most exhilarating music comes from our own backyard.  Here are 11 bands that will be slaying at SXSW this week.

1. Mobley (Post-Genre Pop)

Cutting vocals in the woods behind his college dorm. Mixing in the backseat of a sedan. Sneaking into the music department after hours to teach himself to play new instruments (and sneaking out before the faculty arrived in the morning). From the start, Mobley's work has been marked by solitude, ingenuity, and a drive that could only be called obsessive. Whether you experience his music on record or at one of his incredible live shows, the passion is palpable. Mobley grew up all over the world, from the Spanish Mediterranean to the California coast. Perhaps it's because of this itinerant childhood that he finds it so hard to sit still.

2. Night Drive (Synthpop)

Inspired by sci-fi cinematic landscapes, Night Drive creates modern synth-pop that explores the darker currents of abstract emotion. Infectious melodies wrapped in thoughtful lyrics with pulsing dance beats unveil a stylish, energetic sound that has been featured in film, tv and radio around the world. Touring and opening for international bands such as CHVRCHES, Robert DeLong,Tesla Boy, Miami Horror and The Psychedelic Furs, Night Drive has quickly garnered a reputation as a captivating, must see live show.

3. Leopold and His Fiction (Alt Rock)

For Leopold and His Fiction, creating an album as sublimely chaotic as Darling Destroyer took a lifetime of cultivating a kaleidoscopic musicality. Born and raised in Detroit, Daniel first began making music after finding a forgotten about guitar in his grandmother’s basement as a child. “It had only two strings, but I took it home and started studying immediately,” he recalls. He also played drums in a band at school and learned to play horns and bass, but his focus remained on the guitar. “I’m an only child and was always alone, but I was lucky enough to have an instrument I could bury myself in,” he says. “It was a kind of gold mine, having such an outlet growing up.”

4. Black Joe Lewis & The Honey Bears (Blues Rock)

Black Joe Lewis trawls the familiar intersection of blues, soul, funk, and garage rock, but he's got a few enlivening strategies to make the old formula feel fresh.

5. Los Coast (Soul Rock)

Los Coast's music is a punchy, psych-tinged, lyrical variety of soul.  For the band, comprised of Trey Privott, John Courtney, Megan Hartman, Damien Llanes, and Natlie Wright, this style of music is uniquely effective medium of communication.

6. Melat (R&B)

Born in Austin, Texas, Mélat is the eclectic soul of modern RnB. Mélat tells a story that is both challenging and inspiring crafted from her very own life experiences. It is a pure and honest reflection of her soul. From love, lust, success, to failure Mélat sings of what it means to be a human being simply longing to “be”.

7. Sweet Spirit (Cabaret Rock)

Quickly becoming the most anticipated live shows in Austin, Sweet Spirit is on a roll.  In between shows, the band found time to work with producer Steve Berlin (Los Lobos, Deer Tick) on their sophomore full-length St. Mojo. The new record comes out on April 7, 2017 on Austin label Nine Mile Records and features a bigger, more dynamic set of songs. Lead single "The Power" has already become a fan favorite at live shows, while the Queen-esque track "The Mighty" and Prince dance funk of "I Wanna Have You" take the band is exciting, unexpected new directions. Guest contributions from members of Grupo Fantasma, Mother Falcon and A Giant Dog help expand the band's already considerable sound.

8. Annabelle Chairlegs (Psych Rock)

Annabelle Chairlegs plays out around town often, exuding polished, glitzy, Sixties-inspired rock & roll fleshed out by guitar licks straddling the line between surf-y and noir. Helmed by Mackin's strange, arresting voice, usually either a powerful belt or contorted into theatrical yelping, the band commands the stage with intense authority.

9. Mr. Kitty (Gothtronica)

An artist creates to evoke a reaction, and Forrest and Isaac Ross Lemaire of Mr. Kitty are electro-goth sorcerers who succeed in creating an 8-bit dreamworld for their listeners.  Not quite neophytes, Mr. Kitty have had five previous releases, and their discography runs the gamut between wistful tracks of wintered melancholy to frenetic electro-bangers of seizure-inducing speed. The constant through all of their music is the gothic romanticism of Forrest's lyrics and the perpetually evolving innovativeness of Isaac's hard-hitting beats and crystalline synths.

10. CAPYAC (Electro-Funk)

CAPYAC is a surreal dance act made up of one half swamp baby (P. Sugz), one half agave plant (Potion). To question the origins of the band is to ponder the origin of humanity itself. When founding member Potion stumbled upon the name, half-conscious on his bedroom floor at 3 a.m., it was nonsense, much like the primordial soup from which life on this planet emerged.

11.  S U R V I V E (Instrumental Electronica)

S U R V I V E has been producing synth-heavy, horror-score-influenced compositions for years, and two of the group's members are known for crafting the critically acclaimed score for the popular Netflix series Stranger Things. For almost a decade, the band has explored these themes with drum machines and analog synths, shown on numerous EPs and on their first full-length, Mnq026 from 2012. Releasing their second full-length record 'RR7349' last September on Relapse Records, S U R V I V E kick off their 2017 globe-trotting, festival-heavy tour schedule with a series of shows for SXSW in their hometown of Austin, Texas.