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Vow of Volition Make the Final Round of the Battle for Warped Tour

The Vans Warped Tour was the first festival for many of us back in the day. As young'ns, it's likely we didn't necessarily think about all that went into figuring out the bands to book and play the whole shebang. Part of that process, at least locally, seems to be through a series "battle of the bands" style competitions specifically for landing a spot on the fest. Quite a few Portland bands have been furiously playing against one another for said spot, and djent/prog metal act Vow of Volition are one of the acts that made it to the finals.

Warped Tour was always the type of festival that included much in the realm of pop punk, punk punk, emo and metal, so Vow of Volition's advancement to the final round is no surprise. Their incredibly technical, at times jazzy metal stands out in Portland's pretty linear popular music scene, and is much worthy of the attention its getting.

Those that want to support Vow of Volition in driving home the permanent spot can go to the Battle for Warped Tour finals Saturday at the Hawthorne Theatre.





New single "Jesus" begotten by Native Sun

Jesus” is the name of the new song by Native Sun and not unlike its namesake it’s got a certain hippie-freak vibe, and if Jesus Christ Superstar wasn’t already a thing it’d need to be after this song because it makes me wanna put on a flowing white robe and sing my heart out to the hills of Galilee, helped along by the song's assurance that "it's ok to lose your mind."

And did I mention it's over six minutes long--at least in its unedited form, the video version above is slightly foreshortened--and it’s got sections. Like how after an opening minute-and-a-half that's chock full of rousing guitar fanfare and lighter-waving vocals “Jesus” transforms into more of a glam number (actually it all kind of is) but more of a glam ballad and one that wouldn’t sound out of place on the Velvet Goldmine soundtrack. And then before long we get a dueling guitar solo and another big chorus and then another tag team guitar section that takes up the whole last couple minutes up to the (not) ending complete with fake fadeout a la “Helter Skelter” before returning in even more frantic form but with a fadeout that sticks this time.


So yeah we've got a song here that makes even Jesus going to Hell sound cool. And maybe it would be cool because him and the Devil could hold a peace summit or at least just talk things out. But what's more alarming is how there's a reoccuring theme here, given that Native Sun’s last single was called “Government Shutdown” and it made that subject sound really cool too, but in more of a punk rock kinda way. So I’m not saying we should call the CIA or anything but maybe keep an eye on these guys is all I’m saying because there's clearly a subversive element at work. (Jason Lee)





Alexis Lombre "Come Find Me"

Composer/Pianist Alexis Lombre has released a new single called "Come Find Me". The long awaited track features Isaiah Sharkey on Bass, Coco Elysses on Percussion, and Sam Veren on Trumpet, but is a true showcase for the seductive and strong vocals.

This is song that tells the listening that it is ok to not be ok and that sometimes the best time to heel is when you are alone.





Air Devi writes songs about moving and mosquitos

Air Devi is both a band and a person which is like a PJ Harvey kind of deal. And also like PJ Harvey, she's got some serious musical and songwriting chops. Air Devi, the person, is alternatiely know as Devi Majeske and she's a violinist, sitarist, guitarist, bass guitarist, keyboardist, and a fairly recent U. Penn grad who writes cool songs that come across pretty laid back at first but then get under your skin and into your heart and head. Like on the recent single “Mosquitos in the Backyard,” a song that floats by like a big marshmallow cloud and with images of “wash lines swaying” and “lush perfume hanging” to match. Except when you dig a little deeper it's not all strawberries and cream because the song appears to either be about contracting malaria and/or it's a pretty brutal take down of a pest and narcissist with lines like “you’ll feed on anything that breathes / you never loved anything." Another clever touch is how the choruses sound a little bit like a buzzing mosquito with the chopped-up guitar chords and circling bass line on the high strings so there's much to comtemplate here.

Air Devi draws from diverse musical roots ranging from first-wave punk to Bollywood soundtracks to bedroom singer-songwriter pop to folkie psychedelia but there’s one recurring motif to my ears in how she/they often combine a blissed out vibe in the music and vocals with lyrics that are a series of sharply observed slices-of-life and streams-of-consciousness--pulling from disperate stands of thought and stands of identity and even from different languages with code-switching into French and Gujarati on a handful of songs. 

The latter Indo-language is heard on “Move Without Place," a song that rotates gracefully between styles—the Gujarati comes at the end of a sequence that moves first from ambient indie pop to a syncopated baggy beat with a Bollywood-like vocal melody and then Air Devi wondering aloud “Am I colonizable? Capitalizable?” when everything suddenly stops for a split-second and a bell chimes and then it goes into what sounds like traditional Hindustani music complete with dholak drumming, which is simlilar to a tabla but double-headed, and electric guitar and entrancing ornamented singing but then it all unwinds down to a single repeated guitar note and then back to the syncopated beat with the amibient indie pop backing and back around again. The restless musical arrangement perfectly captures the theme of the song to "move without place [and] make my own space" even if one's skin and the whole world itself is "splintered" and "sensitive."

It's all equally visceral and heady stuff--a dialectic that can be applied to much of Air Devi's music in my humble opinion. But you can make up your own mind by listening to the two aforementioned singles and then 2020’s Swanning About EP above ("No Clearances" is a particuarly lovely statement of purpose). And if you need more you can check out earlier singles like "Standoffish" and "Alchemist" and the stripped-down DIY of 2018's Chicken Nuggies & Rosé EP with some of its contents later rearranged in full-band form on Swanning such as "My Landlord Is An Asshole!" and who can really argue with a sentiment like that. And then, if that's not enough, you can dig into Air Devi's Soundcloud page and find even earlier works like the anti-Putin diss track "Kremlin Bop" that doubles as a Ramones-like sing-a-long with the title perhaps even being an homage to said band. 


But hey let’s not fixate on the past because cheap nostalgia is so 2020. And plus it'll be even more interesting to see and hear what Air Devi does next. (Jason Lee)

 





Queen Mob bring on the "Pop Sickle"

Queen Mob are a two-piece from Psychedelphia, who as individuals go by the names Beth and Colin, and if they placed a band personals ad it'd probably read something like “freak-folk-shoegaze-vaporwave band seeks absolutely no one because we don’t collaborate and we don’t cooperate.” 

Over the past year Queen Mob have released one album and one EP (Easy, Liger and Against A Pale Background) and three singles (“Comeback,” “Sidecar,” and “Pop Sickle”) the last of which I’m declaring to be the best runaway-carousel/broken-calliope music I’ve heard since MGMT’s “Lady Dada’s Nightmare”. 

In their recorded work to date the band have already demonstrated impressive range by alternately sounding like an inebriated Beck, an inebriated Swervedriver, and an inebriated Jandek (so, just, Jandek). Or maybe instead of inebriated they're just experimental. It's not really our business how they get to that place. 

Beth herself describes the single above as “haunted dystopian electronic music” and that strikes me as pretty accurate for their lastest music. So hop on to the merry-go-round and hold to your horse pole becuase Queen Mob will take you on a ride. (Jason Lee)

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