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Haiti Benefit TONIGHT at Precinct Bar in Somerville

The Doctors Fox

Wednesday Feb 3rd, Precinct Bar (70 Union Sq. Somerville, MA) is
throwing a benefit concert for victims of the Haitian Earthquake. For
only $15 you can see 13 live bands playing from 6pm-1am. Precinct will
be passing around free appetizers for a few hours and there will also
be a silent auction.

Live performances from:
Otis Grove
One Fine Morning
Abbie Barrett
Gold Star Morning
The Doctors Fox
Super Volcano
Top Heavy
6th Degree
Maddyln Elyse & Mike Moore
Christoph Krey (From McAlister Drive)
Jesse McCullough

$15.00 All Proceeds donated to the Red Cross. This show is supported by Hear Now Live as well. It is a great show for a great cause.

--The Deli Staff


Interview with Will Dailey

Will Dailey
Photos by Michael Spencer

Boston's Will Dailey
 has his roots planted in classic rock and the local Boston music scene but his ambitions are high and successful. Dailey sat down with the Deli to talk about Neil Young,Brendan Boogie's Cover-up, and how to cultivate your first musical influences.

Dailey is playing the Somerville Theater with Tim Gearan and Dwight and Nicole on February 5th for Dwight and Nicole's CD release, Signs. Take my word for it. This show is a once in a lifetime show. I bet all my jellybeans it will be an intergalatically stellar night.

Deli: How would you describe your music?

Will Dailey: That's always the hard question, how would you describe your music? It's probably best described as where I want to take it and not where it's been. Writing songs and performing them makes me happiest and I'd say the music I write is a reflection of the music that has always influenced me in a way.

--Read the whole interview by Meghan Chiampa HERE


Deli Best of Local Scenes 2009 Final Summary - don't miss these bands!

The Deli's Year End Polls for emerging artists are a great opportunity to catch up with all the most exciting up and coming bands that left a mark in the previous 12 months. Don't forget to check out these bands as they might hit it big in 2010 (if they haven't already!).


Also check out
Missions (2nd place overall)
Neon Indian (3rd place overall)
Black Joe Lewis (3rd place overall)
Austin Overall Chart - Austin Fans' Chart


Also check out
Hey Champ (2nd place overall)
Netherfriends (3rd place overall)
Chicago Overall Chart - Chicago Fans' Chart


Also check out:
Fitz & The Tantrums (2nd place overall)
Crash Kings (3rd place overall)
Light FM - (Fans' Poll Winners)
LA Overall Chart - LA Fans' Chart


Also check out:
Michael Bernier and the Uprising (2nd place overall)
Jesse Dee (3rd place overall)
McAlister Drive - (Fans' Poll Winners)
New England Overall Chart - New England Fans' Chart


Also check out:
Non Commissioned Officers (2nd place overall)
Protomen (3rd place overall and Fans' Poll winners)
Nashville Overall Chart - Nashville Fans' Chart


Also check out:
Freelance Whales (2nd place overall)
Bear in Heaven (3rd place overall)
Midnight Spin (Fans' Poll winners)
NYC Overall Chart - NYC Fans' Chart


Also check out:
(2nd place overall)
Free Energy (3rd place overall)
Levee Drivers
(Fans' Poll winners)
Philly Overall Chart - Philly Fans' Chart


Also check out:
(2nd place overall)
Bodhi (3rd place overall and Fans' Poll winners)
Portland Overall Chart - Portland Fans' Chart


Also check out:
(2nd place overall)
Or, The Whale (3rd place overall and Fans' Poll winners)
Orchestra of Antlers (Fans' Poll winners)
SF Overall Chart - SF Fans' Chart

People Under the Stairs, Kenan Bell, Budo and Grieves, D-Tension - Jan 23rd Middle East Downstairs

Starting the set was a cat out of Lowell, MA: D-Tension. I’ll admit that beforehand, I had very little faith in this man’s ability to rap (and, even more so, his ability to perform) based the silliness of his name and his hometown. It would only be after his set was over that I’d realize how mistaken I’d been; how pseudonyms are rarely ever indicative of ability, no matter how bizarre or obnoxious they might seem (cf. Ol’ Dirty Bastard, Jay Electronica) and how where a performer comes from doesn’t really matter. Even if not many MCs have come from there before.

Admittedly, the fact that he didn’t do much but stand at center stage, wireless mic in hand, annoyed me somewhat. But, for the first time in a while, I really didn’t care. He was just too damn nice. Spitting 92-era lyrics over productions which seemed like they had spawned from Ali Shaheed Muhammad’s twenty-year-old fingertips (though this is very unlikely, I understand), D-Tension had me laughing. And not in a condescending way; it might be easy for some to mock this acknowledged self-deprecator with beats like a school kid and raps like “Ya Mama”, but if you were paying attention at all to D-Tension’s set you would’ve realized how genuinely happy the guy was to be there, spitting his rhymes, opening for People Under the Stairs. He never once broke stride: two-and-a-half-minute song, banter, two-and-a-half-minute song ad infinitum. In a rap world where self-propagation often leads to straight up falsehood, it’s nice to see someone not care if he’s not on top of the world and have some fun with hip hop.

I don’t have much to say about Budo and Grieves’ . Honestly, the only thing that struck me about this set was how UN-struck I was, which was strange, because Budo’s music still attracts me to the point of repeat-playing. I guess I’ll just have to see them again.

On a track, Kenan Bell sports deft lyrical control with a voice so high up in his sinuses sometimes it sounds like the guy could use a good nose-blowin’. I really didn’t know what to expect from Kenan Bell, beyond several well-produced songs and a quick tongue on the mic. What followed was a set that I can say was the best I’ve seen at the Middle East Downstairs, hip-hop-wise.  And, lest I forget, his band played some damn funky music right from the get-go ( opened with “Joy and Pain”) and didn’t let up ‘till the half hour was done. The bass was pulsing so hard I swear I felt like I was getting a defibrillator shock four times per measure.

People Under the Stairs played a magnificent set which I doubt will be topped by any I see for a long time. They used the audience, encouraging participation but without resorting to those old-pony tricks ("Everybody say yeah" was as close as it got to being 1987, and only for a minute) and they made the people at the ME get  down. Jam.

--Daniel Schneider


A quick look outside your local scene: The other Deli Best of 2009 Polls

Rockers, Folkers and Poppers of all ages, sexes and hair colors,

The Deli's regional Year End Best of Polls for emerging artists are finally over and it's time to have a quick look at what's going on outside your local scene. Here's a recap of the winners of our nine polls with links to overall charts and readers' polls results:

AUSTIN - Winner: Stereo Is a Lie
Overall Chart
- Readers Chart - list of jurors

CHICAGO - Winner: I Fight Dragons

Overall Chart
- Readers Chart

LOS ANGELES - Winner: Local Natives

Overall Chart
- Readers Chart

NASHVILLE - Winner: Those Darlins

Overall Chart
- Readers Chart

NEW ENGLAND- Winner: Mean Creek

Overall Chart
- Readers Chart - list of jurors

NYC - Winner: Talk Normal

Overall Chart
- Readers Chart - list of jurors

PORTLAND - Winner: Explode into Colors

Overall Chart
- Readers Chart - list of jurors

PHILLY - Winner: Reading Rainbow

Overall Chart
- Readers Chart - list of jurors

SF BAY AREA - Winner: Girls

Overall Chart
- Readers Chart - list of jurors

The Deli's Staff


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